Books
Foundations of Shakespeare by Neema Parvini
Price range: £50.00 through £100.00
Foundations of Shakespeare is a comprehensive no-nonsense introductory course on studying Shakespeare’s plays. Covering his most famous plays — four major comedies (A Midsummer Night’s Dream, As You Like It, Twelfth Night and Measure for Measure) and the four major tragedies (Hamlet, Othello, King Lear and Macbeth) — this book provides the reader with everything necessary to take their appreciation of Shakespeare to a level beyond what they would have learned in school, including historical contexts, sources, genre and structure, and important interpretations of the texts. Completely shorn of ‘woke’ scholarship, it is notable for drawing chiefly on serious material that was produced before the politically motivated work which has blighted the academy since 1980, but in the process shows that Shakespeare is more relevant to contemporary political debates than ever before.
This beautifully finished volume combines traditional craftsmanship with stunning visuals — luxurious black faux leather and gold and silver foiling meet high-quality colour printing and artisanal binding. The book blocks are threadsewn and also feature marker ribbons and head and tail bands for that premium quality that is so rare in modern books.
Hardback
~300 pp.
If you have purchased the ‘Foundations of Shakespeare’ course by the Academic Agency you can purchase the book at a third of the retail price (RRP). Please send proof that you have purchased the course to ellie@imprint.co.uk. If you do not send proof of purchase within 7 days of ordering the discounted copy, you will be refunded.
Foundations of Shakespeare is a comprehensive no-nonsense introductory course on studying Shakespeare’s plays. Covering his most famous plays — four major comedies (A Midsummer Night’s Dream, As You Like It, Twelfth Night and Measure for Measure) and the four major tragedies (Hamlet, Othello, King Lear and Macbeth) — this book provides the reader with everything necessary to take their appreciation of Shakespeare to a level beyond what they would have learned in school, including historical contexts, sources, genre and structure, and important interpretations of the texts. Completely shorn of ‘woke’ scholarship, it is notable for drawing chiefly on serious material that was produced before the politically motivated work which has blighted the academy since 1980, but in the process shows that Shakespeare is more relevant to contemporary political debates than ever before.




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